Born in Baritan, Malabon City, Philippines, during the tumultuous years of World War II, Mario Mercado’s early life was marked by resilience and resourcefulness. Despite hardships, his curiosity and love for beauty flourished. Mario developed a deep appreciation for culture, which led him to explore photography, taxidermy, and indigenous art.

His journey as an artist began with studies at the Pratt Graphic Art Center in New York City, where he overcame significant challenges, including financial struggles, to pursue his passion. Through his lens and lithographs, Mario captured the essence of life—blending his Filipino heritage with his experiences abroad.

A well-known fine artist in the Philippines, Mario immersed himself in the cultural tapestry of his homeland. He lived for two years with the Mangyan people (Mangyan is a collective term for indigenous groups in Mindoro Philippines), studying their folklore and traditions, which became the subject of a paper he published while serving as Managing Editor of a Philippine newspaper. His work was not limited to the visual arts; Mario undertook archeological research, amassing an impressive collection of Philippine artifacts that reflected the country’s diverse history.

Mario was also the figure behind bringing down the Sari Manok, a legendary bird from Philippine mythology of the Maranao people in Mindanao. The word Sari means assorted colors while the word Manok means rooster. The Sari Manok is a symbol of cultural pride, from the mountains, further cementing his dedication to preserving Filipino heritage. His creative output and scholarly pursuits were united by his inquisitive spirit, documenting stories of survival, identity, and cultural richness. A true visionary, he lived as an artist in every sense, preserving beauty and history through his art and research.